So, this is gonna be at least a *little* bit of a lighter topic than my last post. It’s something that has…had an undercurrent for a large portion of my life, certainly my adult life, but I haven’t actively participated in most of the time. There’s one notable exception, which I’ll talk about as well. What I’m talking about here is tattoos. It’s a very broad subject with lots of variable meaning to different people. For some, it was a thing they got spur of the moment on a vacation or in celebration, possibly something rather non-specific or impersonal. For others, they find beauty in the sheer act of becoming the medium on which the art sits, and that can take many different forms in terms of what the actual art pieces become. And for others still, each piece has meaning, each piece represents something important to them in some form, something that carries meaning heavily enough in their lives to want to permanently make it part of themselves. Now, as with anything else in the human experiences, these nice, neat little categories don’t actually rigidly define every person’s experience or motivation, and often there’s some combination of these going on.
So, let me now bring this back to a more personal level, and dive into my feelings around them, my experiences, and my plans for the future. To start, I do have a set of tattoos, one on each shoulder, that I got 13 years ago, when I was 18. These are the 7 tenets of Bushido, as well as the kanji for Samurai. I know, I know, Japanese characters in a tattoo, how cliche. But these hold meaning for me. They have since well before I got the tattoos. These are character traits I don’t want to forget. That I don’t want to allow to fade from my life. Rectitude, Courage, Benevolence, Politeness, Veracity, Honor, and Loyalty. Each of these is something I strive to maintain and utilize in my life. And of course, this leaves the last one. Samurai. Why this one? It seems strange, out of place. The literal translation of Samurai is “servant”. Now, historically, this is because the samurai were servants of their shogun, their lord, so it’s a fairly mundane translation. The word itself, however, happens to carry meaning for me. That meaning has expanded somewhat, and I’ll touch on it in a moment, but let me focus on what I was focused on at the time I chose to get the tattoo. To me, being a servant is a vital aspect of the character I want to carry through the world. It requires humility, it requires attentiveness, it requires being alert to the needs of those around you, and being willing to be the one to help in those times of need. It is a value I hold close. Now, as I said, the meaning has expanded for me over time. It also plays a significant role in the way I relate to kink and my place within kink dynamics. That is a wildly different aspect, and one I will touch on in another post later, but I wanted to include it as a duality of what servant means to me.
So, as I said, I got those tattoos at 18. I actually got really lucky, my best friend was dating a guy who was apprenticing to be a tattoo artist, and he needed pieces for his portfolio. He’d done a piece for her, so I trusted the quality of his work, and since it was for portfolio building, I got the entire thing for literally what I tipped him. Pretty awesome deal for an 18-year-old without much in their pockets. My parents weren’t wholly thrilled with the idea, but I was 18 and the money was mine. My mom just kind of accepted it and we moved on, but my dad( who, as I’ve mentioned before, is an asshole) decided that he was gonna capitalism the fuck out of this and literally offered to “buy” it off me. “Yea, like advertising space, like a billboard or something” literally came out of his mouth. I thought about getting indignant, or angry, but instead I replied that I’d need $10,000 per shoulder. He did not really respond. The matter was basically dropped, and I got to be smug that I’d turned my dad’s asshattery around on him. I proceeded to get the pieces, and to this day they hold up very well.
Now, I mentioned that I only have the one set, which may make it seem odd I’m devoting an entire post to the topic. I’ve had something of an odd, meandering journey from that point as far as getting more. For a long period of time, I simply didn’t have the money anyway. It also quite honestly fell down my list of thought priorities while dealing with my internal gender identity struggle, and confronting the ways in which I’d blindly accepted things growing up that were thin veneers of fallacy covering up a jumbled mess of the reality. In dealing with gender and the subsequent body dysphoria it caused, I also developed some difficulty believing *I* could look good with more tattoos. This only became further exacerbated as I gained weight. After I met my partner, and finances weren’t a concern in nearly the same way they had been as we ended up in a better position than paycheck to paycheck, I still would sort of…deflect in my mind from ever really taking the steps to do anything. I had some ideas that I would talk about but never really fleshed out. I never searched for a shop or artist to work with.
A few things have happened over the last 8 or so months which have caused some shifts. First, I met someone back in November with whom I would end up developing a fantastic relationship. They have several tattoos, and meanings for all of them. The way they talk about them reignited that sense in me, that feeling that I, too, wanted more than the couple I had. I also was working toward losing weight, and getting weight loss surgery. That happened on April 2nd, 2019, a little over 2 months ago. I’m going to write about that experience later, but the way it has impacted my weight, and consequently my view of myself, is highly relevant to this topic. One of the things I’d been using to hedge was that I was always intending to lose weight, in no small part because it is a gatekeeping factor for transition-related procedures, and I need to hit the appropriate numbers to jump through those hoops. Because of this, it didn’t make sense to go get tattoo’d when it could very well completely change the landscape of the skin it was on after weight loss. I have lost *quite* a bit of weight at this point, and certain areas of my body are more or less going to stay stable, enough so that there’s a lot less worry putting ink on them.
Perhaps the greatest evolution has been the mental factors that were holding me back. I talked about how my body dysphoria was a serious blocker to feeling as if getting tattoos would look *good*. I still struggle with body-image and self-esteem issues quite a lot, but I am in a much better place after the last few months, thanks in vast majority to the two partners I have mentioned in this piece. They have pushed me to examine some hard truths and some deep-seated issues that I had been avoiding. The partner with the tattoos, whom I will refer to as C, has tirelessly served as both sounding board and gut checker. They have helped provide me the space to find my voice again in things I care about, to feel validated in expressing what I like and pursuing things I want. They have challenged my every apologetic or excuse or misplaced belief in why *I* couldn’t possibly go forward with things. Not to mention they have shown me pretty much constantly, intentionally or not, that tattoos are just really hot.
I found a place here in the city that I like. They’re a block away. I talked to an artist, and he was awesome. We had a back and forth, and we fleshed out a plan for the first piece I want to start in on. He is already drawing up the artwork for the Eastern-style version of Caliria, my dragon. Most likely I will have it within the next 2 weeks. Then we will start looking at the other 10 or 11 things on my list, the things that flowed out once I stopped finding ways to hedge and realized I needed to do what I wanted to do. So much of this is thanks to my partners (my other partner, whom I live with, I will refer to as T). The two of them have listened when I needed them to, and formed a stone wall when I was trying to find the cracks to slip through. It wasn’t always easy, *I* wasn’t always cooperative, but it got me here. There’s much more work to do, in other areas I may or may not touch on later that are much deeper, but this is a start. And I’m excited for it. I can finally become the canvas I’ve wanted to be. I can commemorate those things that are important to me the way *I* want to, and stop worrying over what it looks like to anyone else.
Because of this, and so many other things they’ve done for me, one of the tattoos that is high on my list is, to me, a vitally important representation of T and C. They both are huge fans of Neil Gaiman, and eventually got me to sit down and read some of his work. One book in particular they were both *adamant* that I read. That book is The Ocean at the End of the Lane. It is a book with many elements of fantasy and other realms. It is also a book with some very real connections to how trauma manifests in our lives. There was one scene, in fact, that was a direct trigger for me. Thankfully, T was there laying in bed with me as I read it, and was able to help me through the reaction. It was intense. That was the kind of book this was.
There is a character in this book by the name of Lettie Hempstock. She is…not exactly of this world. This is sort of central to the book. She has an ocean on her farm. It is exactly the size it needs to be. There is a point in the book where otherworldly creatures are, for plot reasons I’d rather not spend a paragraph or so explaining, attempting to kill the protagonist. They are nightmarish creatures, and they use shadows and images against the protagonist, things that will make him scared, whether because of who it is, or what the person is saying he has to do, or the implication that it is an order from his parents he cannot disobey. Lettie puts him in a fairy circle, a ring of land where the creatures cannot enter, and tells him she will return. He waits there, as these creatures do everything to find a way to make him leave the circle. He is confronted with nightmare after anxiety after self-doubt. Finally, Lettie returns, carrying a pail of water. She walks up into the circle, places the pail in front of him, and says this:
“I couldn’t get you to the ocean,” she said. “But there was nothing stopping me bringing the ocean to you.”
I will again not go into detail in case anyone wants to find out for themselves exactly what happens. But she saves him this way. There was no way for her to easily bring him to safety, to walk him through his nightmares safely. So, instead, she finds a way to take a portion of safety and bring it to him, and through it bring him back into safety.
My partners have done this for me, time after time, over the past months. They each have a…character, for lack of a better term, that represents them. So, I am getting that quote as one of my next tattoos. And on either side of it will be one of them, carrying a pail of water. This is the kind of thing tattoos are to me. I will not forget that, ever. And more importantly, I have set aside a piece of me, physically, to acknowledge openly and in plain view that this is what they have done for me. To acknowledge that I have had moments where I could not do it alone, and that they were there to hold me up and carry me forward.
Not every tattoo is that intense, but they all have some meaning, some memory or value I hold dear that is important to the journey of my life and where I am now, and also where I’m going in the future. I’m looking forward to being able to revisit this from time to time and talk about the pieces I have gained, and the things that have happened to make them that important to me.

